David-daniels * Notes * 
Countertenor David Daniels is currently on tour with the English Concert, to promote his latest recording with that ensemble. The first half of evening was devoted to Bach, starting off with Harry Bicket leading the English Concert in the Orchestral Suite No. 1 in C Major. They played primly, but not dispassionately. Daniels sang a potpourri of arias from Cantatas 170 and 82, Mass in B minor, and Saint Matthew Passion. In the middle of this was a break in which the ensemble played the Sinfonia from Cantata 42, the lack of unison in the woodwinds for their first entrance was distracting. Daniels has a pretty voice, with good volume, though at times his voice does have a cooing quality that is a bit columbid.

The second half of the performance featured Händel, and the English Concert played his Concerto Grosso No. 11 very beautifully. Daniels sang arias from Radamisto, Partenope, and Orlando. He seemed more engaged with these opera numbers than with the Bach. His encore, "Qual nave smarrita," from Radamisto, was lovely. One imagines he must be very good in this role.

* Tattling * 
There was a fair amount of whispering and talking during the music, but no electronic noise.

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6 responses to “David Daniels and The English Concert”

  1. David Avatar
    David

    David Daniels was fabulous when I saw him in Santa Fe Opera’s Radamisto last summer. I definitely prefer his Handel to his Bach.

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  2. Roberto Avatar
    Roberto

    For me, it was an unforgettable evening. I found the English Concert full of charm and DD in extremely good shape. He is amazing and totally captivated me (vocally wise). I don’t have a single negative thing to say about the event. I hope to have DD in the War Memorial soon singing Handel.

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  3. The Opera Tattler Avatar

    I bet! One of these days I should really go to Santa Fe for an opera.

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  4. The Opera Tattler Avatar

    I’d love to hear Daniels sing at the opera in SF soon as well.

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  5. Sarah Avatar
    Sarah

    He’s singing in SERSE with Susan Graham in Houston Spring 2010 – I may have to go to see them both. I’m going to Santa Fe this summer for the first time and I am so looking forward to it (my last two summer trips have been to SF). Re Handel – I think the aria form is ultimately so much more flexible than the cantata, therefore more of an opportunity for the singer to be expressive (my very amateur opinion). Hey, I wonder if the SERSE production might show up somewhere else in later years. Sonia Prina will also be in it in Houston.

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  6. The Opera Tattler Avatar

    Serse is on my calendar too! I don’t have time for Santa Fe this summer, sadly.

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