* Notes *
The last performance of Il Trovatore at the Metropolitan Opera was Saturday's matinee. Since I have seen seemed David McVicar's production several times in San Francisco, it seemed best to simply listen at a score desk today.
Conductor Marco Armiliato had the orchestra sounding spirited. The racing tempi were infused with energy. The dynamics were not always dramatic, at times pianissimo was not terribly distinct from forte. Stefan Kocán was a dry Ferrando, but with good volume. I had trouble hearing Maria Zichak's musical line as Inez when she sang with Sondra Radvanovsky (Leonora) and the orchestra in Part I. The latter interpreted the emotional content of the text with clarity, and could always be heard. Dmitri Hvorostovsky (di Luna) has a lovely timbre but has a tendency to gasp when breathing. While Marcelo Álvarez was plaintive as Manrico, he almost seemed to choke on a note in "Ah, sì ben mio." Perhaps this was intentional, it did give this reviewer a physical sensation of being strangled. Dolora Zajick (pictured above, © Ken Howard/Metropolitan Opera) was most impressive as Azucena. The madness of the character came through, with passion and without ugliness.
* Tattling *
Though most of the audience was respectful and silent, someone left his or her mobile phone on and it rang during a rest with a fermata in Part 2. One would think being broadcast live in high definition would be incentive enough to turn off electronic devices.
The Opera Tattler 
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