The Opera Tattler

Reviews of Performances and their Audiences

Recent posts

Category: Bo Skovhus

  • LA Opera’s Figaro

    * Notes * A revival of Le Nozze di Figaro at LA Opera opened this afternoon. Plácido Domingo kept the orchestra at a good clip, though not exactly brisk, the tempi were comfortable. There were many synchronization problems with singers and the orchestra. The bridesmaid duet in Act III went especially awry, either the singers were…

  • LA Opera’s 2010-2011 Season

    September 23- October 16 2010: Il PostinoSeptember 26- October 17 2010: Le Nozze di FigaroNovember 27- December 18 2010: LohengrinFebruary 19- March 13 2011: Il Turco in ItaliaMarch 12-27 2011: The Turn of the Screw LA Opera's new season opens with a world premiere, with Plácido Domingo singing the part of Pablo Neruda. Domingo conducts…

  • Deutsche Oper Berlin’s 2008-2009 Season

    September 13 2008- July 2 2009: TurandotSeptember 14 2008- March 22 2009: Der fliegende HolländerSeptember 15-27 2008: RigolettoSeptember 20 2008: L'Amico FritzSeptember 21 2008- May 2 2009: Die ZauberflöteSeptember 30- October 8 2008: Pique DameOctober 1-5 2008: The NoseOctober 2-7 2008: ChowanschtschinaOctober 3 2008 – February 15 2009: Der RosenkavalierOctober 22-31 2008: Manon LescautOctober 30-…

  • Premiere of Iphigénie en Tauride

    * Notes * Gluck's Iphigénie en Tauride (1779) had its first performance at San Francisco Opera last night. The co-production with Lyric Opera of Chicago and the Royal Opera, Convent Garden is rather sparse, not unlike the music itself. The action takes place in a black box and the costumes likewise black, all quite simple.…

  • Don Carlos

    Way back in November 2003 I attended a couple performances of Don Carlos at San Francisco Opera. They did a five act French version, which is unusual. The two leads, Marina Mescheriakova as Elisabeth and Mark Duffin as Don Carlos, were not particularly impressive. The former was shrill and stiff, the latter was too quiet.…

  • Nulla mai temer mi fa.

    The Bayeriche Staatsoper's production of Don Giovanni had excellent singers but a disappointing staging. Thus far, all the productions of Mozart operas there have been fairly ugly visually, although the production teams have all been different. Ivor Bolton's conducting was not impressive, the orchestra was not exactly together during the overture, and the singers and…