Category: Donald Runnicles

  • * Notes *Richard Strauss' Die Frau Ohne Schatten (Act I Scene 2 pictured, photograph by Cory Weaver) returned to San Francisco Opera after an absence of 34 years. The vibrant production by artist David Hockney premiered at Covent Garden way back in 1992, but still has much to recommend it, and the singing and playing…

  • * Notes * Yesterday mezzo-soprano Michaela Martens (pictured left in Act II, photograph by Cory Weaver) sang Cassandra in San Francisco Opera's Les Troyens. She sings again on June 20, 2015. Martens has a lovely resonant voice with powerful low notes and searing high ones. Compared to soprano Anna Caterina Antonacci, with whom she shares the…

  • * Notes * Der Ring des Nibelungen at San Francisco Opera came to a spectacular conclusion with Götterdämmerung (Prologue pictured left, photo by Cory Weaver) today. The orchestra played beautifully for Maestro Donald Runnicles. There were only two or three sour moments, and even these were fleeting and did not detract from the overall brilliance of…

  • * Notes * The third Ring cycle at San Francisco Opera continued yesterday with Siegfried (Act II, Scene 3 pictured left, photo by Cory Weaver). The orchestra sounded better than ever under Donald Runnicles. The brass was particularly clean, especially in the Act I Vorspiel and before Brünnhilde makes her vocal entrance in Act III, Scene…

  • * Notes * Cycle 3’s Die Walküre (Act II, Scene 1 pictured left, photo by Cory Weaver) at San Francisco Opera was performed yesterday with Heidi Melton debuting the role of Sieglinde. Melton has a warmth to her voice, but also conveys the fragility of the character. She did sound a bit rough early on in…

  • * Notes * The third and final Ring cycle of the season at San Francisco Opera started with Das Rheingold (Brandon Jovanovich, Elizabeth Bishop, Melissa Citro, and Gerd Grochoski in Scene 4 pictured left, photo by Cory Weaver) last Tuesday. Maestro Runnicles had the orchestra sounding noticeably cleaner this time around, especially the brass. The…

  • * Notes * Cycle 2 of Der Ring des Nibelungen at San Francisco Opera concluded with Götterdämmerung (final scene of Act III pictured left, photo by Cory Weaver) today. The orchestra was in fine form under Donald Runnicles. The bass clarinet, harp, and trumpet sounded especially wonderful. The chorus did well, and the male chorus sounded…

  • * Notes * San Francisco Opera‘s second Ring cycle continued with Siegfried (Act II, Scene 3 pictured left, photo by Cory Weaver) on Friday. The orchestra played clearly. The sound of the off-stage horn in Act II, Scene 2 was clean and pleasant. The music for Siegfried passing through the magic fire at the end of…

  • * Notes * The second cycle of Der Ring des Nibelungen at San Francisco Opera continued Wednesday night with Die Walküre (Act I pictured left, photo by Cory Weaver). The orchestra sounded cleaner than last week. Donald Runnicles seems to be leading an understated, subtle rendering, which is rather beautiful. The strings played especially well, the…

  • * Notes * The Ring at San Francisco Opera began anew with Das Rheingold (Štefan Margita and Mark Delavan in Scene 2 pictured left, photo by Cory Weaver) on Tuesday. Everyone sounded more comfortable and relaxed. There were fewer issues with moving the sets, though there were still audible thumps and bangs as things were…