The Opera Tattler
Reviews of Performances and their Audiences
Category: John Copley
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* Notes * San Francisco Opera's recent La Traviata is very pretty both in the orchestra pit and on stage. This is Maestro Luisotti's last series of performances as music director, and the orchestra sounded spirited during the Sunday matinée last weekend. I felt like I could hear every individual instrument from the back of the…
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* Notes * The fourth of nine performances in San Francisco Opera's Le Nozze di Figaro revival this season was last night. From the back of the balcony everyone sounded robust. Maestro Luisotti's conducting highlighted the subtitle of this opera, ossia la folle giornata, and his playing of the fortepiano was filled with vim. I…
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* Notes * The most recent revival of Le Nozze di Figaro opened last night at San Francisco Opera. Zack Brown's Goya-inspired set is nearly thirty years old, but is perfectly serviceable. Though the scene changes are awkward between acts, everything does look quite nice. The direction from John Copley is thoughtful, he handled the chorus especially…
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* Notes * A revival of Peter Grimes opened at San Diego Opera yesterday evening. The production was originally built for San Francisco Opera and the Lyric in 1973, and the set has a certain grey brutality. Gary Marder's lighting was appropriately stark and moody. The costumes, from the Met's old production, are also perfectly…
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John Copley directed the revival of San Francisco Opera's Idomeneo, which opens this Wednesday, October 15 and runs until October 31. He has worked on 19 productions for San Francisco Opera since his 1982 debut in Giulio Cesare. The Opera Tattler spoke to Copley on Friday morning in San Francisco. It has been 60 years…
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