The Opera Tattler
Reviews of Performances and their Audiences
Category: Melody Moore
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* Notes *Der fliegende Holländer opened at Hawai’i Opera Theatre last night. Francesca Zambello’s production, directed here by Sara Widzer, involves a lot of ropes. The set is simple and remains essentially the same the entire time, despite the intermission placed in the middle of Act II. Scenes are changed using light and a few…
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* Notes * Last night's opening of Tosca at San Francisco Opera was rather more exciting than expected, given that the 1997 production has been revived three times before. As Tosca, Angela Gheorghiu sang Act I a bit quietly, and was often not with the orchestra. Before Act II, General Director David Gockley announced that Gheorghiu…
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* Notes * The amateur musicians of Symphony Parnassus barely all fit on the stage of San Francisco Conservatory of Music’s Concert Hall yesterday afternoon. The performance began with Copland’s Fanfare for the Common Man. The playing was not entirely clear but was quite hearty. Before the Der Rosenkavalier Suite and excerpts from that opera,…
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* Notes * The world premiere of Heart of a Soldier (Act II pictured left, photograph by Cory Weaver) given by San Francisco Opera last night. The opera is about the life of Rick Rescorla, the director of security of Morgan Stanley who lost his life as the in the September 11th attacks after evacuating 2,700…
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* Notes * The East Coast premiere of Séance on a Wet Afternoon from Stephen Schwartz was given at New York City Opera earlier this month. The opera itself had some impressive intensity, particularly in the last two séances. The orchestration, however, was dense, and the male voices were particularly difficult to make out at times.…
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* Notes * New Century Chamber Orchestra opened a series of performances entitled "Mastery of Schubert" in Berkeley yesterday evening. They began with Bach's Violin Concerto in E major, with NCCO's music director, Nadja Salerno-Sonnenberg, as soloist. Salerno-Sonnenberg has a very peculiar motor pattern, and seemed to be brimming with energy. The piece was played…
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This week the soprano Melody Moore (pictured left) performs with New Century Chamber Orchestra. She will be singing in Stephen Schwartz's Séance on a Wet Afternoon at New York City Opera next month, Gordon Getty's Plump Jack with the Münchner Rundfunkorchester in May, and returns to San Francisco for the world premiere of Christopher Theofanidis'…
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* Notes *Hawai'i Opera Theatre just finished a 3 performance run of Gounod's Faust on Tuesday. The set was typical of what is seen regional opera houses, simple and employing multiple platforms. The use of projection was restrained, mostly in the background or on the lowered scrim before each act. General and Artistic Director Henry…
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* Notes * Today the Communications Department of San Francisco Opera held a press conference on Heart of a Soldier, which will have a world premiere on September 10, 2011. General Director David Gockley told us a bit about how this came to be an opera. An array of individuals were introduced: Susan Rescorla, one of…
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* Notes * The eighth performance of San Francisco Opera's La Bohème starred Melody Moore instead of Angela Gheorghiu as Mimì. Ms. Moore sounded lovely, her voice is warmer than Gheorghiu's, and louder, but also has the necessary delicacy. Her voice blended beautifully with Piotr Beczala's, especially during "Addio dolce svegliare alla mattina!" However,…