The Opera Tattler
Reviews of Performances and their Audiences
Category: Nina Stemme
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* Notes *An excellent revival of Parsifal (ovation pictured, photograph by author) opened at Münchner Opernfestspiele yesterday evening. Musically, it was the best Parsifal I have heard live, the orchestra sounded splendid and the singers were all great. Maestro Adam Fischer lead the orchestra with verve, starting off the Vorspiel in a stately manner and…
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* Notes *Richard Strauss' Die Frau Ohne Schatten (Act I Scene 2 pictured, photograph by Cory Weaver) returned to San Francisco Opera after an absence of 34 years. The vibrant production by artist David Hockney premiered at Covent Garden way back in 1992, but still has much to recommend it, and the singing and playing…
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* Notes *Michael Tilson Thomas and San Francisco Symphony are concluding a three-week Beethoven Festival with a semi-staged Fidelio. The opening performance last night featured grand singing and an austere, but effective staging. The opera boasts a stunning cast. Nina Stemme is a searing Leonore, her sound is luminous and clear. She pierces to the…
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Washington National Opera just announced principal casting and performance dates for its first complete presentation of Wagner’s Ring cycle. Three full cycles will be presented from April 30 to May 22, 2016 and will be directed by Francesca Zambello and conducted by Philippe Auguin. Nina Stemme (pictured left, photograph by Tanja Niemann) and Catherine Foster…
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* Notes * Der Ring des Nibelungen at San Francisco Opera came to a spectacular conclusion with Götterdämmerung (Prologue pictured left, photo by Cory Weaver) today. The orchestra played beautifully for Maestro Donald Runnicles. There were only two or three sour moments, and even these were fleeting and did not detract from the overall brilliance of…
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* Notes * The third Ring cycle at San Francisco Opera continued yesterday with Siegfried (Act II, Scene 3 pictured left, photo by Cory Weaver). The orchestra sounded better than ever under Donald Runnicles. The brass was particularly clean, especially in the Act I Vorspiel and before Brünnhilde makes her vocal entrance in Act III, Scene…
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* Notes * Cycle 3’s Die Walküre (Act II, Scene 1 pictured left, photo by Cory Weaver) at San Francisco Opera was performed yesterday with Heidi Melton debuting the role of Sieglinde. Melton has a warmth to her voice, but also conveys the fragility of the character. She did sound a bit rough early on in…
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* Notes * Cycle 2 of Der Ring des Nibelungen at San Francisco Opera concluded with Götterdämmerung (final scene of Act III pictured left, photo by Cory Weaver) today. The orchestra was in fine form under Donald Runnicles. The bass clarinet, harp, and trumpet sounded especially wonderful. The chorus did well, and the male chorus sounded…
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* Notes * The second cycle of Der Ring des Nibelungen at San Francisco Opera continued Wednesday night with Die Walküre (Act I pictured left, photo by Cory Weaver). The orchestra sounded cleaner than last week. Donald Runnicles seems to be leading an understated, subtle rendering, which is rather beautiful. The strings played especially well, the…
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* Notes * Cycle 1 of Der Ring des Nibelungen at San Francisco Opera concluded with Götterdämmerung (final scene of Act II pictured left, photo by Cory Weaver) yesterday evening. Francesca Zambello's production went more smoothly than at the prima earlier this month. The final scene had more impact, and Brünnhilde's torch did not go out…
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