The Opera Tattler
Reviews of Performances and their Audiences
Category: Opera Review
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* Notes * The Metropolitan Opera, dark for two nights because of Hurricane Sandy, reopened on Halloween with a third performance of The Tempest by Thomas Adès. The production, from Robert Lepage, is enchanting. The piece is set in a version of La Scala, which starts almost as a paper theater, but ends up being rather…
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* Notes * Cal Performances presented the West Coast premiere of Einstein on the Beach (Act I Scene 2 pictured left, photograph by Cristina Caccone) last night in Berkeley. This collaboration between director Robert Wilson and composer Philip Glass, first performed on July 25, 1976 at the Festival d’Avignon, feels like a product of its time.…
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* Notes * Lohengrin opened at San Francisco Opera last night. The production is new to the house, and has been seen in Geneva and Houston. Inspired by the Hungary of 1956, the action takes place within what looks to be a library. Designed by Robert Innes Hopkins, the set (Act I pictured left, photograph…
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* Notes * Moby-Dick (Jay Hunter Morris as Captain Ahab, Stephen Costello as Greenhorn, and Jonathan Lemalu as Queequeg pictured left; photograph by Cory Weaver) opened at San Francisco Opera on Wednesday evening. The opera premiered at Dallas Opera, and the production has traveled to the State Opera of South Australia in Adelaide, Calgary Opera, and…
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* Notes * A new production of I Capuleti e i Montecchi (Act I Scene 2 pictured left, photograph by Cory Weaver) opened at San Francisco Opera on Saturday. Conductor Riccardo Frizza had the orchestra sounding rather jaunty. The horn, clarinet, harp, and cello all gave solid performances. There were moments when the orchestra was much…
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* Notes * Los Angeles Opera gave a third performance of I due Foscari (Act II pictured left with Francesco Meli as Jacopo Foscari and Plácido Domingo as Francesco Foscari, photograph by Robert Millard) Sunday afternoon. The orchestra seemed comfortable playing under the direction of James Conlon. The clarinet was especially pretty. The chorus sounded full.…
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* Notes * Peter Stein’s production of Don Giovanni (Act II pictured left with Soile Isokoski as Donna Elvira, David Bizic as Leporello, Roxana Constantinescu as Zerlina, Joshua Bloom as Masetto, Julianna Di Giacomo as Donna Anna, and Andrej Dunaev as Don Ottavio; photograph by Robert Millard) for Lyric Opera opened at Los Angeles Opera yesterday.…
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* Notes * The Pearl Fishers (Act I with James Callon and Zachary Altman, photograph by P. Kirk) opened the 2012-2013 season at Opera San José over the weekend. Sunday’s performance gave a compelling case for this opera, which is so much less popular than Bizet’s Carmen. Maestro Anthony Quartuccio had the orchestra going at…
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* Notes * A second performance of San Francisco Opera's Rigoletto was held on Saturday. The cast had three different members: Marco Vratogna (Rigoletto), Albina Shagimuratova (Gilda), and Arturo Chacón-Cruz (The Duke of Mantua). Chacón-Cruz was not consistent, he was rather hard to hear with the chorus in the first scene, but improved in the second…
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* Notes * The 90th season of San Francisco Opera got off to a fine start last night with Rigoletto, at least once opening night formalities were out of the way. Though not exactly precise, the orchestra bustled with enthusiasm, and Maestro Nicola Luisotti kept the music moving. The chorus sang with characteristic vigor. This revival…