The Opera Tattler
Reviews of Performances and their Audiences
Category: Paul Groves
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* Notes * The latest revival of the Metropolitan Opera's Iphigénie en Tauride on Saturday seemed under-rehearsed, but still has potential. There were many instances when the singers were not with the orchestra, especially as far as the chorus was concerned. Perhaps the elaborate choreography was to blame. The dancers here were more together than in…
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September 26 2009- January 29 2010: ToscaOctober 5- November 7 2009: FaustOctober 27- November 23 2009: ErnaniNovember 22- Deceumber 12 2009: Katya KabanovaDecember 5 2009- January 16 2010: The Merry WidowJanuary 23- February 22 2010: L'Elisir d'AmoreFebruary 20- March 17 2010: La Damnation de FaustFebruary 28- March 27 2010: Le Nozze di Figaro René Pape and Kyle Ketelsen share the…
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* Notes * The Schwabacher Debut Recital Series continued yesterday with baritone Lucas Meachem singing selections from Dvořák's Zigeunermelodien, Poulenc's Chansons Gaillardes, Schumann's Zwölf Lieder, and Copland's Old American Songs. Meachem certainly is amiable, talking to the audience before each set of songs. His singing is vigorous enough to fill a small hall like the…
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Mozart’s Die Entführung aus dem Serail opened last night at San Francisco Opera, with Peter Schneider conducting, and a whole gaggle of singers, and one actor, from the Germanic realms. The production seemed to not have confidence in either Mozart’s music to enchant or the audience’s ability to attend to this music, and the beautiful…