Category: Stephanie Blythe

  • * Notes * Quinn Kelsey replaced Dmitri Hvorostovsky as the Count di Luna in San Francisco Opera's Il Trovatore yesterday afternoon. Kelsey sounded warm and rich, without being too dark in the least. His breath control was incredible, not one gasp was heard. On the other hand, he was not particularly menacing, though his portrayal of longing…

  • * Notes * The 2009-2010 season at San Francisco Opera opened with Il Trovatore last night. David McVicar's production is elegant, and Charles Edwards' rotating set made the scene changes straightforward. Maestro Luisotti's debut as music director was effervescent, and the orchestra sounded fine. The chorus was clear and together. Renée Tatum and Andrew Bidlack, the…

  •   * Notes * Seattle Opera's Aida closed yesterday at McCaw Hall. The production, directed by Robin Guarino, was suitably grand. Michael Yeargan's set was attractive, the background of the pyramids was especially lovely. The scene changes were, however, not seamless. The curtain was brought down for a few minutes at a time, and the…

  • * Notes * Kent Nagano's 30th season as music director of the Berkeley Symphony Orchestra will be his last, and the search for his replacement is on. Over this season and the next there will be a total of six guest conductors, one of which may emerge as the next music director. The first of…

  • Wadsworth production of Händel's Rodelinda opened at the Met on Tuesday, May 2, 2006. I was surprised that Thomas Lynch's set was so beautiful, since his Lohengrin was reminiscent of IKEA, though admittedly, his Ring set for Seattle was gorgeous. The library set was particularly impressive to the audience, which gasped when it was revealed…

  • Seattle Opera is especially dedicated to the works of Richard Wagner. The founder of this opera company, Glynn Ross, apparently adored Wagner at a time in which his works were generally neglected by most American opera houses. Seattle Opera has built its reputation on staging Wagner in a traditional manner, a reaction to the ultra-minimalism…