* Notes *
San Francisco Opera's Annual Meeting for 2010 was held yesterday afternoon, over in Zellerbach Rehearsal Hall A at the Symphony. Board of Directors President George H. Hume, General Director David Gockley, and CFO Michael Simpson gave reports as usual. Again, this year the outlook was on the gloomy side, though the endowment has recovered since last time. On the other hand, 50% of all donations to SF Opera come from just 19 people, a precarious situation to say the least. Full subscriptions continue to decline, there is an accumulated deficit, and many cuts were made.
Plans afoot to solve the various problems include recapitalization, reconfiguring of the opera schedule, reducing fixed costs, investment in facilities, and building the endowment.

Gregory Henkel, Director of Artistic Administration at San Francisco Opera, also addressed us. He spoke about the joys and challenges of casting for the company, and about how splendidly the Merolini and Adlers did at the Met auditions.

Five Adlers performed, sopranos Leah Crocetto and Sara Gartland, mezzo soprano Maya Lahyani, countertenor Ryan Belongie, and pianist Tamara Sanikidze. Lahyani sang "Va, laisse couler mes larmes" from Werther with great beauty. Belongie sang Arsamene's aria "Sì, la voglio," from Serse. His transitions between the different parts of his voice were flawless. Gartland's "Deh vieni, non tardar" was very pretty. Crocetto and Lahyani gave a heartrending performance of "Scuoti quella fronda di ciliegio."

* Tattling *
I was particularly ill-behaved at this meeting, for one thing, I was at least 5 minutes late, as the BART train ahead of mine was having mechanical issues. Secondly, I answered the survey that we were to fill out in my own deadly earnest yet entirely silly manner. I hope the person who has to read that gets a good laugh. Two cellular phones rang at different points whilst people were speaking.

In other news, we may well have Fleming, Radvanovsky, and Hampson to look forward to in coming seasons.

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8 responses to “SF Opera Annual Meeting 2010”

  1. Patrick Avatar

    Did they give any thought to performing some operas that their core audience hasn’t already seen a bazillion times? That’s why I dropped my subscription and my donation.

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  2. mj Avatar
    mj

    We are supposed to look forward to Fleming and Hampson?
    Your blog had already informed us that we could look forward to La Radvanovsky and I certainly do!

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  3. The Opera Tattler Avatar

    It certainly is something to think about. I won’t upgrade to a full subscription next season either, though I do go to every production, of course.

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  4. The Opera Tattler Avatar

    I’m sure some people are!
    Not a lot of new information about upcoming seasons at the meeting, I’m afraid.

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  5. Roberto Avatar
    Roberto

    Changing the subject, I just noticed on their website that Elina Garanca is out and Alice Coote is in for Werther.

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  6. The Opera Tattler Avatar

    Thanks for reminding me to publish that blog entry, I tweeted it but forgot to get it together for something here.

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  7. y2k Avatar
    y2k

    Maybe the SF Opera will save some money by having Alice Coote instead of Garanča?
    While I haven’t seen Garanča live, I just attended a Boston Symphony concert (Mendelssohn’s A Midsummer Night’s Dream and Rossini’s Stabat Mater), in which Coote was the mezzo soloist. Her performance blew me away – her voice was deep, luxurious and velvety. And her interpretation of the text as well as her phrasing were perfect. I have to try to attend her opera performances some time (perhaps Cendrillon at ROH next year?)

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  8. Henry Holland Avatar
    Henry Holland

    “reconfiguring of the opera schedule”
    Does that mean getting rid of the summer season? I thought that was mainly there so that the ballet can have the place in time for their 9 zillion Christmas “Nutcracker” performances, then their regular season. I hope they don’t do what Los Angeles does which is spread out the season over 9 months, but doing 2 or 3 in September and sometimes nothing for months. It’s insane that they’re doing “Die Gezeichneten” which is big and complicated at the same time that Ring finishes up.

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