Monteverdi_marienvespers * Notes * 
Magnificat Baroque Ensemble performed the Vespro della Beata Vergine at Grace Cathedral in San Francisco yesterday afternoon. The performers included ten singers and twelve instrumentalists. The tempi seemed a bit too measured and the sound was slightly hazy. Perhaps the music lacked clarity because the space is so large and irregular in shape. It was difficult to discern whether everyone was synchronized, but certainly the piece is quite beautiful and there was some gorgeous singing.

* Tattling * 
Axel Feldheim was nice enough to bring me to this performance, and his account of the work is probably more useful than mine, given that he read the score as it was being performed. The rest of the audience only whispered a bit, but a woman behind me was very confused about what Vespers are, what "Magnificat" signifies, and when the Baroque era was. Not only was she exceedingly surprised that there was singing involved in Monteverdi's Vespers of 1610, she excitedly exclaimed that they were performing "medieval music" during a quiet part near the beginning. Thankfully it only took one stare to silence her for the rest of the performance.

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8 responses to “Magnificat Baroque Ensemble performs Vespro della Beata Vergine”

  1. Sibyl Avatar
    Sibyl

    That was my cousin on sackbut. I couldn’t make any of the perfs, so I am glad to read about it here. Thanks!

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  2. Axel Feldheim Avatar

    One hopes that the lady behind you learned a bit about both Baroque music & concert etiquette at that performance. The main thing I learned by reading the score was how much responsibility each of those 10 singers had. Some of the numbers are for a double choir of 5 voices each, so this was the absolute minimum one could get away with.

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  3. Robin Lamb Avatar
    Robin Lamb

    Sounds like a wonderful performance….. your comments about the “Medieval Music” lady made me laugh out loud! But, I do hope that she opened her ears and her heart and learnt something…..
    I can picture your stare, Charlise! 😉
    Robin

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  4. Celeste Avatar
    Celeste

    I think that the measured tempi were a necessary concession to the acoustic (multi-second reverb). Grace is unfriendly to complicated vocal texture. They negotiated that as well as they could. I heard Chanticleer sing Brumel’s 12-vv “earthquake mass” (Missa et ecce terrae motus) there a few years ago, and it was an acoustical disaster.
    I was there on Sunday as well. I had a know-it-all lady sitting behind me who had to read the program out loud to her presumably literate partner, because she liked to hear herself read. She also had to talk right up to the opening chord. I gave her a nasty stare and she shut right up. I also sat with good posture, so that she had to shift uncomfortably behind me, as well. It’s fun being over 6′ tall.

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  5. The Opera Tattler Avatar
  6. The Opera Tattler Avatar

    I tried very hard not to read the score over your shoulder.

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  7. The Opera Tattler Avatar

    It was lovely. That person almost made me laugh too, actually.

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  8. The Opera Tattler Avatar

    I imagined that the space was challenging to sing in, but of course you would have a better perspective on this.

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