Crocetto * Notes *
Soprano Leah Crocetto gave a recital of her favorite songs with pianist Tamara Sanikidze for the Salons at the Rex series yesterday evening. Crocetto began with “Ain’t it a pretty night?” from Carlisle Floyd’s Susannah. She learnt this piece at the age of 18, and it sounded very natural for her. This was followed by 3 Rachmaninoff songs, 2 from the Opus 21 Song Cycle and the Vocalise (Op. 34, No. 14). Sanikidze milked Richard Strauss’ lovely “Morgen,” Crocetto sounded pure and clear. Her “O mio babbino caro” was spine-tingling. The rest of the program was in English and included “Sure on this Shining Night,” “From Seamus,” “The Boy Next Door,” “The Man that Got Away,” “When Did I Fall in Love,” “Fly Me to the Moon,” “All the Things You Are,” “The Girl in 14-G,” and “You’ll Never Walk Alone.” There were times when her volume was a bit much for the smallness of the room. She did sound equally comfortable singing art songs, arias, or standards.

* Tattling *
The recital was sold out, we were packed in fairly tightly, and I was between Axel Feldheim and John Marcher. The audience was well-behaved, though some expressed their enthusiasm by calling out “whoo-whoo” several times in a row during the applause. The clanking of silverware was heard during “Morgen” and Crocetto joked that this was her percussion section.

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6 responses to “Leah Crocetto’s Salon at the Rex”

  1. chanteuse Avatar

    Ms. Tattler:
    Ms. Crocetto is one of the handful of unsung sopranos whom I have yet to hear live but have heard a good deal about. Did she sing the sixties ditty “All the Things You Are” (a personal favorite) in a smooth, jazz-inflected style, or did she croon the song a la Barbra Streisand? Just wondering. I look forward to reading your posts, as always.
    Chanteuse

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  2. The Opera Tattler Avatar

    She is wonderful, and I’m sure you will hear her soon. I thought it was more on the jazz-inflected side than like Babs, but I admit I know almost nothing about such music. Crocetto just sounded comfortable, very smooth and natural in all these pieces. Thanks for reading, dear.

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  3. EBrown Avatar

    I love her. Her singing in Aida was so lovely.

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  4. Not For Fun Only Avatar

    Chanteuse asks a really good question. I would say that Ms. Crocetto did a little of both, actually. There were times that her delivery approached speech, but even then, as the OT observes, it’s all very smooth & flows together. It was great that her voice sounds different and not at all operatic in the jazz/musical theater selections.

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  5. Chanteuse Avatar

    Thanks! A friend of mine who attended the show more or less echoed the same appraisal of Ms. Crocetto as a song recitalist. My friend also told me that Crocetto has excellent control of her voice, without ever being cloying in tone… in other words, a Renée Fleming she aint!
    Chanteuse

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