Santa-fe-opera-arabella* Notes *
This season’s revival of Arabella (Act III pictured left, photograph by Ken Howard) opened at Santa Fe Opera yesterday. Sir Andrew Davis conducted a vivid performance from the orchestra, and the strings were particularly beautiful.

Many of the smaller roles were filled by singers familiar to those of us from San Francisco, such as former Merolini Susanne Hendrix (Fortune Teller) and Jonathan Michie (Dominik). Current Adler Fellow Brian Jagde sang Count Elemer with strength. Dale Travis and Victoria Livengood convinced as Arabella’s rather silly parents.

Heidi Stober sounded lovely as Zdenka, and was suitably naive and boyish. Mark Delavan could have sung Mandryka with a bit more heft, but the weight of his voice suits this venue better than the War Memorial. He did inhabit the character and his movements were appropriate to his role. Erin Wall sounded icy yet sturdy as Arabella.

Director Tim Albery’s production is fluid, and designer Tobias Hoheisel’s work detailed but sedate. The three semi-circle walls arranged in different configurations for each act certainly has appeal.

* Tattling * 
There was again a lot of talking at this performance. The woman in Mezzanine Row G, Seat 107 would not be silent, even when glared at several times.

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5 responses to “Arabella at Santa Fe Opera”

  1. Kgg Avatar
    Kgg

    Conversation at Santa fe just seemed to be endemic..and we also found it distracting….in the years of totally open house, there was much atmospheric noise that you didn’t notice…oh well…

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  2. Vajra Avatar

    The audience at Santa Fe seems to include many people who go to check it off their tour guide. Cañon Rd.? Check. Indian Market? Check. Georgia O’Keefe museum? Check. Opera? Check. I notices many people talking and phones going off all thee nights ao far arghhhh!

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  3. The Opera Tattler Avatar

    I guess that makes sense, but it is annoying, given that the quality of the performances is so high.

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  4. Vajra Avatar

    A phone went off during the last act of Tosca. And apparently the audience thought the situation was hilarious: lots of inappropriate laughter. This reinforces my hunch that many in the audience are unfamiliar with opera. They don’t even know the war horses of the repertoire.

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