* Notes *
Los Angeles Opera gave a third performance of I due Foscari (Act II pictured left with Francesco Meli as Jacopo Foscari and Plácido Domingo as Francesco Foscari, photograph by Robert Millard) Sunday afternoon. The orchestra seemed comfortable playing under the direction of James Conlon. The clarinet was especially pretty. The chorus sounded full.
The cast seems ideal, rendering the opera rather engaging. Ievgen Orlov radiated evil as Loredano, so much so he was enthusiastically booed by the audience when he took his first bow. Though Marina Poplavskaya does have a gasping quality to her voice, it worked to her advantage as the fiercely angry Lucrezia Contarini. Francesco Meli sounded bright and plaintive as Jacopo Foscari. There was a certain rawness to his singing that had the right appeal for the character. Plácido Domingo was convincing in the baritone role of Francesco Foscari.
The production features an elaborate set with many moving parts. At times the direction seemed hampered and constrained by all that was on stage. On the other hand, the circus-like scene that opened Act III was spectacular, and the ending effective and disturbing.
* Tattling *
There was some light talking in the Grand Circle, but mostly from one rather elderly person who probably had no idea he could be heard. A woman in the Founders Circle caused more than once disturbance during Act II as she climbed over several people to exit the hall.
The Opera Tattler 
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