Carmen_stefancohen_021* Notes *
Festival Opera put on a visceral production of Carmen at the Lesher Center for the Arts in Walnut Creek last weekend. The staging was effective and there was a lot of great singing.

The small orchestra was conducted by Robert Mollicone, who is on the music staff at San Francisco Opera and was a Merolino back in 2011.

The staging relied heavily on projections to set the scenes, it looked to be a contemporary urban environment, replete with graffiti, highway overpasses, and the like. It did seem like the projections were on a loop, there seemed to be constant clouds of smoke in the background, which was unsettling.

Michael Mohammed's direction included two dancers, Stuck Sanders and Anthéa Colot (pictured with the chorus in Act IV, photograph by Stefan Cohen) who were very impressive. I loved how fluidly Sanders was able to move in particular, and there was such joy to the movement. They really drew me into the piece.

The cast for this was likewise engaging. Bass-baritone Matthew Lovell was suitably brutal as Zuniga. The quintet "Nous avons en tete una affaire" was memorable, baritone Daniel Cilli as the Le Dancaïre, tenor Taylor Thompson, mezzo-soprano Lily Bogas as Mercédès, and soprano Lila Khazoum as Frasquita were all very distinct but also cohesive. Baritone Young-Kwang Yoo was a charming Escamillo and soprano Hope Briggs a very sweet Micaëla.

Carmen_stefancohen_025Mezzo-soprano Nikola Printz is convincing as Carmen, they certainly are seductive. But most appealing was tenor Dane Suarez as the otherwise fairly repellant Don José. Suarez's voice has plaintiveness and bright warmth, but also an interesting rawness that works for this role.

*Tattling * 
I haven't been to a Festival Opera performance since 2015, and I was surprised how easy it was to get to the theater from the BART station. I brought Axel Feldheim with me to the performance and managed not only to get on the same train as him but also found the exact car he was on. We got there so early that we were able to go to a nearby farmers market and to a boba tea place beforehand. There were also activities happening outside the theater that involved many children.

There was some pretty loud talking from some audience members but it was usually about the performance. It's always very funny to me that people need to express their thoughts aloud about how beautiful something is and they interrupt other people's experience of that very beautiful thing.

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6 responses to “Festival Opera’s Carmen”

  1. Kathryn Avatar
    Kathryn

    How wonderful. Have seen an opera at Lester. They are good at selecting and producing operas for a ‘younger’ crowd. Thanks for highlighting local opera…always wonderful.🥰

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  2. Axel Feldheim Avatar

    I still don’t know how you managed to walk through those BART doors & be standing right across from me!

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  3. Marty Avatar
    Marty

    Glad that some liked it.
    We left at intermission.
    Modernized classics mostly fail.

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  4. Jason appel Avatar
    Jason appel

    Modernization of the opera ruined it for us. Left at intermission although singing was enjoyed. Jason a

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  5. Mary Marvin Avatar
    Mary Marvin

    I’m shocked that so many attendees disliked the modernization of this classic opera. I feel that as a society we should be willing to stretch our horizons. Personally, I love when a director decides to go in a different direction, especially when they make certain that every aspect of the play changes. I loved Carmen!

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  6. Susie H Avatar
    Susie H

    The director’s decision to move the setting to the present only emphasized the universality of the story. A marginalized population, victimized by the authorities, forced to seek alternative sources of income? We see that on every continent. Scratch the surface in any urban area and there it is. Then the inevitable: sexual liaisons develop between the factions (another coping strategy?), to further complicate their relationship. Tender humanity pays the price.

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