San Francisco Opera presents Puccini's La Bohème on November 20 and 22 at the Fort Mason Flix Drive-In, followed by Tosca on December 11 and 12. The 2008 production of Bohème stars Piotr Beczala and Angela Gheorghiu as Rodolfo and Mimì, the Tosca is from 2009 and stars Adrianne Pieczonka.
The Opera Tattler
Reviews of Performances and their Audiences
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* Notes *
San Francisco Opera held a drive-in event (pictured left, photograph by Kristen Loken) at Fort Mason Flix yesterday evening. The opera screened was Lucia di Lammermoor from 2008 with soprano Natalie Dessay in the title role. She is an incredible Lucia, and the filmed version captures this well. It was also flattering to the rest of the production.The drive-in was orderly, the staff let each car in, first scanning tickets, then explaining which FM station to tune into to get the sound, and lastly leading each car to a space to allow for good sight lines. I was very pleased to see much of the house staff from the War Memorial, and glad to be in the third row near the middle in my compact hybrid.
There was strong enforcement of no lights from cars, drivers were admonished before the show began. Unfortunately, there were times when headlights and brake lights would turn on (including my own at least once) as cars would automatically shut off to conserve battery power.
Otherwise, the format is engaging, I preferred this to watching streams at home, it felt more like a real opera. It was nice to be in my own enclosed space without the normal distractions of small children or other ill-behaved audience members. It was noticeable how many coughs were carefully recorded in the audio when the orchestra was playing quietly.
Graham Vick's direction and Paul Brown's sets are suitably dramatic on the big screen. Dessay is both vulnerable and viscerally disturbing in her mad scene, it's clear how she's giving her all the the performance. Everyone sounded fine, better than I remembered live. Mezzo-soprano Cybele-Teresa Gouverneur didn't seem underpowered as Alisa, tenor Giuseppe Filianoti was only strained at times, and was always audible. The sextet was beautiful. It was lovely to hear the chorus and orchestra, they were consistent and powerful.
* Tattling *
It was very strange for me to be somewhat "out and about" doing something at least adjacent to what I would normally do before shelter-in-place. I felt extremely uncomfortable and could not bring myself to leave my car for concessions or the restrooms. It was good to see how many people wore masks outside of their cars but compliance was not perfect.Leave a comment
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San Francisco Opera continues its streaming program Opera Is On with Donizetti's Lucia di Lammermoor on October 31 to November 1. The production is the one to be shown as a drive-in movie next Sunday.Verdi's Un Ballo in Maschera (pictured left, photograph by Cory Weaver) from 2014 will be presented on November 7-8, Mussorgsky's Boris Godunov from 2008 on November 14–15, Verdi's Rigoletto from 2012 on November 21–22, and Donizetti's L'Elisir d'Amore from 2008 on November 28–29.
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Opera San José will present a new fully staged production of Jake Heggie’s Three Decembers as an on-demand stream starting December 3, 2020. The cast (pictured, photograph by David Allen) features mezzo-soprano Susan Graham in the lead role along with Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís.Tickets are $40 per household, which includes on-demand streaming access only, or $50 for the added admission to the post-show gala on December 3.
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San Francisco Opera presents Donizetti’s Lucia di Lammermoor (pictured left, photograph by Terrence McCarthy) on October 25 at 6pm at Fort Mason Flix Drive-In. The production is from 2008 and stars Natalie Dessay.98 cars with pre-purchased tickets will be admitted starting at 5pm and social distancing enforced. Guests must remain in their cars during the opera and wear a mask when leaving to visit concessions or restrooms.
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San Francisco Opera continues its streaming program Opera Is On with Puccini's Tosca (pictured left, photograph by Cory Weaver) on October 10–11. The production is the revival from 2014 that stars Lianna Haroutounian.Verdi's Attila from the summer of 2012 will be presented on October 17-18 and Mozart's Le Nozze di Figaro from the 2014-2015 season on October 24-25.
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* Notes *
Merola, San Francisco Opera's training program, kicked off a virtual recital series last Sunday via Zoom with baritone Lucas Meachem (pictured left, photograph by Natasha Sadakin) and his piano accompanist and wife Irina Meachem. They were very charming and it was a stark reminder of just how strange these pandemic times are.Lucas Meachem was in Merola in 2003 and went on to be an Adler, he's performed most recently in San Francisco as Mercutio in Roméo et Juliette last season. He pretty much sang from operas he has performed in at San Francisco Opera, so there was “Mab, la reine des mensonges” from the aforementioned Gounod, “Bella siccome un angelo” from Don Pasquale, and such.
Irina Meachem introduced the pieces, and we got to hear about how it is to be in the same industry as your romantic partner and a little bit about the challenges of having a one-year-old.
I loved hearing him sing “Hai già vinta la causa” from Le Nozze di Figaro and “Deh, vieni alla finestra” from Don Giovanni. Meachem channels rakishness well and the richness of his voice came through even in Zoom. Best of all was "Mein Sehnen, Mein Wähnen" (Pierrot’s Tanzlied) from Die Tote Stadt. It brought back to mind San Francisco Opera's dazzling production of this opera back in 2008.
I definitely felt a pang of loss as I heard this recital from our camper van as we drove from Vernal, Utah to Reno, Nevada, the penultimate leg of a cross country trip from Nantucket, where we've been sheltering in place for the summer. 2020 has been a tough year, as much as I feel my privilege acutely, I do miss live performing arts so much. And I feel for all the artists who have had so many gigs canceled and whose livelihoods are on the line.
Lucas and Irina Meachem took the opportunity of this recital to present a piece by a black female composer, namely, Undine Smith Moore. The art song “Love Let the Wind Cry” is as beautiful as anything in the standard repertoire, and was a welcome addition to the program.
* Tattling *
There were some technical difficulties, though I'm not entirely sure if they were all on my end, since cellular coverage can be spotty in rural areas of our country. I got kicked off Zoom during an aria from Eugene Onegin, but was able to rejoin within a few minutes.Leave a comment
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San Francisco Ballet and San Francisco Opera, along with the San Francisco War Memorial and Performing Arts Center, announced today that the previously planned seat replacement project originally scheduled for summer 2021 will now take place over a 14-week period between September 2020 to January 2021 during the continuing COVID-19 venue closure this year.Leave a comment
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General Director Matthew Shilvock announced the cancelation of the 2020-2021 season opening at San Francisco Opera today because of COVID-19. The performances were to begin on September 11 and to continue until December 6. The company expects return in April 2021 with Il Barbiere di Siviglia, Zemlinsky's Der Zwerg, and concerts starring Lianna Haroutounian and Iréne Theorin with the San Francisco Opera Orchestra.San Francisco Opera has been streaming operas under the name "Opera Is On," most recently Il Trittico and continuing with Salome next weekend.
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The Merola Opera Program announces the cancellation of the 2020 training program and Summer Festival, including all public performances, public master classes, and events scheduled, in accordance with local and global efforts to prevent the spread of COVID-19. This is the first time in 63 years that San Francisco Opera's summer training program for singers, collaborative pianists, and directors has been canceled.Leave a comment
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