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Recent posts

  • Merola Grand Finale 2026
  • West Edge Opera’s Rinaldo
  • Merola’s Ariadne auf Naxos
  • Philharmonia Baroque Orchestra’s Tolomeo
  • Merola’s La Tragédie de Carmen
  • Eugene Brancoveanu’s Salon at the Rex

    March 13, 2008

    Brancoveanu* Notes *
    Yesterday evening
    Eugene Brancoveanu gave a recital of Gerald Finzi's Let us Garlands Bring, Schumann's Dichterliebe, and Ravel's Don Quichotte à Dulcinée. The room for the Salons at the Rex series is rather intimate, and Brancoveanu started off a tad too loud in the first few songs. His diction in English is nearly perfect, I only detected a few stray vowels here and there that perhaps were not quite right. His German diction was startlingly perfect, and when John Parr, the accompanist, mentioned that Eugene grew up in Germany, it became clear why. The percussiveness of "Die Rose, die Lilie" was done well, "Am leuchtenden Sommermorgen" was sung with great delicacy, and "Die alten, bösen Lieder" was absolutely beautiful. The three songs of Don Quichotte à Dulcinée were cute, and certainly Eugene was adorable, especially when he sang the "Chanson à boire," in which he included an impressive head bobble. The encore was the aria/canzonetta "La Nebbia."

    * Tattling *
    The turnout was good, nearly every seat was taken. Eugene videotaped the performance for his wife, who was unable to attend. There was only one watch alarm at 7pm, somewhere in the first few rows to the right.

    Hotel Rex seems to have a resident pug, who is very quiet, well-behaved, and friendly. Soprano Heidi Melton was possibly as charmed by said pug as I was.

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  • Haneke at City Opera

    March 13, 2008

    Michael Haneke will direct Così fan Tutte at New York City Opera in 2012. His operatic debut was as director of Don Giovanni in 2006 at Opéra national de Paris.

    The Canadian Press Article | Guardian UK Article

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  • Netrebko in Playboy

    March 12, 2008

    "And in Germany sometimes they make productions look ugly."

    Interview [PDF] | Official Site

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  • ENO’s Lost Highway at the Young Vic

    March 12, 2008

    Diane Paulus is directing Olga Neuwirth's Lost Highway for ENO. The opera runs from April 4-11, 2008 at the Young Vic. The opera premiered in 2003 at the Helmut-List-Halle.

    Evening Standard Article | Production | ENO | Young Vic

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  • Chicago Opera Theater’s 2009 Season

    March 12, 2008

    April 18- May 1 2009: La Clemenza di Tito
    May 2-15 2009: La Tragedie de Carmen
    May 16-26 2009: Owen Wingrave

    Tribune Article | Official Site

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  • PBO’s 2008-2009 Season

    March 11, 2008

    June 8 2008: Corelli by Candlelight
    September 13-20 2008: Myth and the Muse (Arne and Rameau)
    October 17-24 2008: Bach Reconstructed
    October 25 2008: An Evening at the Palace
    November 13-16 2008: A Classic Triple (Beethoven, Haydn, and Mozart)
    December 5-12 2008: Natale Barocco
    February 5-8 2009: Midwinter Magic (Mendelssohn)
    March 20-28 2009: Wind and Waves
    April 18-25 2009: Handel's Wicked Queen (Athalia)
    May 28-31 2009: L'Allegro, il Penseroso ed il Moderato

    Philharmonia Baroque announced their next season, which also includes a couple performances in St. Paul and New York. I am, predictably, most excited about L'Allegro, il Penseroso ed il Moderato with Mark Morris Dance Group at Cal Performances. Look how nicely they scheduled it too, before San Francisco Opera's summer productions start.

    2008-2009 Season | Official Site

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  • Gran Teatre del Liceu’s 2008-2009 Season

    March 10, 2008

    October 4-20 2008: Tiefland
    November 11-30 2008: Le nozze di Figaro
    December 23 2008- January 14 2009: Simon Boccanegra
    January 3-10 2009: El retablo de Maese Pedro
    February 3-15 2009: L'incoronazione di Poppea
    March 17- April 18 2009: Die Meistersinger von Nürnberg
    April 20- May 2 2009: La cabeza del Bautista
    May 18- June 2 2009: Fidelio
    June 19- July 7 2009: Salome
    July 21-31 2009: Turandot

    Barcelona's opera season was announced in January. Karita Mattila sings Fidelio, Nina Stemme sings Salome, and Bo Skovhus sings in Die Meistersinger. The one Baroque offering is a production by David Alden.

    2008-2009 Season | Official Site

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  • Sächsische Staatsoper’s 2008-2009 Season

    March 9, 2008

    August 29 2008- March 26 2009: Cleofide
    August 31 2008- May 16 2009: Die Zauberflöte
    September 3 2008- July 8 2009: Der Rosenkavalier
    September 14-20 2009: Don Carlo
    September 26- October 4 2008: Macbeth
    October 8-24 2008: Tannhäuser
    October 10 2008- April 14 2009: Turandot
    October 11-25 2008: Il Trovatore
    October 15-27 2008: Don Giovanni
    October 26- December 27 2008: Hänsel und Gretel
    October 29 2008- March 19 2009: Euryanthe
    November 8 2008 -June 18 2009: Le Nozze di Figaro
    November 13-25 2008: Ariadne auf Naxos
    November 16-22 2008: Così fan tutte
    November 19 2008- May 8 2009: Die Entführung aus dem Serail
    November 26 2008- January 30 2009: Die Fledermaus
    December 5-10 2008: Lohengrin
    December 6 2008-March 28 2009: Der Freischütz
    December 17 2008 – July 3 2009: Boris Godunov
    January 6-11 2009: La Damnation de Faust
    January 10-23 2009: Madama Butterfly
    January 25- February 2 2009: Elektra
    January 31- July 4 2009: Tosca
    February 2-9 2009: Carmen
    February 18-26 2009: Fidelio
    February 22- March 1 2009: Tristan und Isolde
    March 14-25 2009: Die Liebe der Danae
    March 15-23 2009: Cardillac
    April 3-16 2009: Peter Grimes
    April 10-13 2009: Parsifal
    April 12- June 7 2009: Der Fliegende Holländer
    April 24-30 2009: La Cenerentola
    May 14-30 2009: La Bohème
    May 15-27 2009: Aida
    May 19-26 2009: Dead Man Walking
    June 1- July 2 2009: L'Upupa
    June 19-25 2009: Salome
    June 20-27 2009: Otello

    René Pape is singing the title role of Boris, and Emily Magee sings Tosca.

    Premieres for the 2008-2009 Season | Official Site

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  • SF Opera’s Cinemacasts Spring 2008 at the Castro

    March 8, 2008

    March 17: La Rondine
    March 31: Samson and Delilah
    April 14: Don Giovanni
    April 21: Madama Butterfly

    The Castro Theatre
    429 Castro Street
    San Francisco, CA 94114

    On these four Mondays the Castro Theatre will screen San Francisco Opera productions at 11:30 am, 3:30 pm, and 7:30 pm. Scheduling must have been difficult given that the Castro often is a venue for film festivals, such as SFIAAFF, which starts this Thursday.

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  • Lucia at ENO

    March 7, 2008

    LuciaenoThe English National Opera presented Lucia di Lammermoor for the first time this season, and the last performance was yesterday. The adorable Anna Christy made her British debut in the title role, despite recently suffering bronchitis. She has a sweet, warbling sort of voice, and from the reviews, it sounds like she was adequate, not distinguishing herself but not awful either. She certainly didn't get as much attention as the whole lip-synching incident of the opening performance.

    Aldenrodelinda_2

    The Lucia production looks quite tame for David Alden, dark but not absurd. Neil Fisher titled his Times interview "David Alden, the Stephen King of Opera," which I don't find particularly apt, having seen half a dozen of Alden's productions. Stephen King is popular, and is known for horror. David Alden's productions did not seem popular at Bayerische Staatsoper, where I heard him booed a couple of times. Nor was his Rodelinda at San Francisco Opera popular, though not nearly as reviled as Anna Viebrock's Alcina or the recent Macbeth from Zürich.

    Aldenrinaldo

    David Alden's work isn't exactly horror either, though he did have the valkyries give the audience gesto dell'ombrello with those wands airport ground handlers use in Die Walküre, for which he was he was roundly booed for at the end of the premiere. The enormous Playmobil doll whose trousers fall down in Rinaldo was also vaguely horrific (and also garnered the audience's vitriol), though I did like the cupcake frosting hairdos on the sirens. His Il Ritorno d'Ulisse in Patria  has the distinction of being the only opera performance for which I had a ticket for but did not turn up to simply because I could not bear to watch what he had done with Monteverdi another time.

    Trexgiuliocesare_2It is more self-indulgent than truly scary, even the T-Rex used for Giulio Cesare is not frightening! This image was used in Bayerische Staatsoper's advertising, and alas, I never managed to see it, as it was put on shortly before I arrived in Munich. For the past few years I've successfully avoided David Alden's productions and I'm slightly annoyed to see that the Radamisto at Santa Fe this summer is his. As there are not many Baroque operas being performed at major opera companies, it does seem inevitable that I will be forced to see Alden's work again.

    Times Interview | ENO | BSO | Santa Fe Opera

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