• Floyd* Notes *
    San Francisco Opera's Annual Meeting for 2014 was held Thursday afternoon at Zellerbach Rehearsal Hall in San Francisco. Chairman of the Board John A. Gunn, Board of Directors President Keith B. Geeslin, CFO Michael Simpson, and General Director David Gockley all spoke. Both Geeslin and Gockley expressed concern over San Diego Opera's closing, since it has been well-run and has presented world-class talent. San Francisco Opera ran a deficit again, subscriptions continue to drop off, but the endowment is at an all-time high. The new Opera Center in the Veterans Building will start being built in January of next year. Once it opens, the plan is to program a Baroque opera each February, a family opera in March, and a contemporary opera in April. We also learnt that the DVD of San Francisco Opera's Porgy and Bess will be released next Tuesday.

    Composer Carlisle Floyd joined us for the meeting, and was interviewed by David Gockley. Floyd's Susannah will be performed next season, and we were told about the composer's career. His next opera premieres in Houston. Three Adlers and one Adler alumna performed four pieces from Susannah: pianist Noah Lindquist; tenor A.J.Glueckert; baritone Hadleigh Adams; and soprano Rhoslyn Jones. Jones sang "Ain't it a Pretty Night" with particular poignancy.

    * Tattling *
    During the reception after the meeting David Gockley asked me where I had been and I assured him I would make myself less scarce given that a Baroque opera is programmed this fall.

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  • San Diego Opera will cease operations after its current season, said Ian Campbell, the opera’s general and artistic director.

    KPBS | Official Site

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  • Sopranos
    Julie Adams, Burbank, California
    Adelaide Boedecker, Sarasota, Florida
    Maria Fasciano, Niagara Falls, New York
    Karen Chia-Ling Ho, Taipei, Taiwan
    Yujin Kim, Deajeon, South Korea
    Talya Lieberman, Forest Hills, New York
    Amanda Woodbury, Dallas, Texas

    Mezzo-Sopranos
    Eliza Bonet, Atlanta, Georgia
    Shirin Eskandani, Vancouver, British Columbia, Canada
    Nian Wang, Nanjing, Jiangsu, China

    Tenors
    Casey Candebat, New Orleans, Louisiana
    Mingjie Lei, Hengyang, Hunan, China
    Chong Wang, Shijiazhuang, Hebei, China
    Benjamin Werley, Pittsburgh, Pennsylvania

    Baritones
    Gideon Dabi, Highland Park, New Jersey
    Alexander Elliott, Florence, South Carolina
    Thomas Gunther, Muscatine, Iowa
    Edward Nelson, Santa Clarita, California

    Bass-Baritones
    John Arnold, Cumming, Georgia
    Matthew Stump, Goshen, Indiana
    Rhys Lloyd Talbot, Cedar Falls, Iowa
    Szymon Wach, Lublin, Poland

    Basses
    Anthony Reed, Alexandria, Minnesota
    Scott Russell, Roanoke, Virginia

    Apprentice Coaches
    Edoardo Barsotti, Lucca, Tuscany, Italy
    Ronny Michael Greenberg, Montreal, Quebec, Canada
    Kirill Kuzmin, Moscow, Russia
    Sahar Nouri, Tehran, Iran
    Blair Salter, St. Catharines, Ontario, Canada

    Apprentice Stage Director
    Omer Ben Seadia, Tel-Aviv, Israel

    Official Site | Press Releases

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  • Costume-sale-sfopera-2014San Francisco Opera is having a costume shop sale on March 23-24, from 10:30 am to 5 pm on Saturday and 10:30 am to 4 pm on Sunday at 800 Indiana Street in San Francisco. This is only the fifth time in the company's history that such a sale is taking place. Costumes from The Gospel of Mary Magdalene, The Flying Dutchman, Carmen, and Pelleas et Melisande will be available for purchase.

    Press Release

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  • Metropolitan_Opera_House_At_Lincoln_Center_2September 22- December 20 2014: Le Nozze di Figaro
    September 23 2014- January 24 2015 : La Bohème
    September 24- October 18 2014: Macbeth
    September 30 2014- March 7 2015: Carmen
    October 6- November 8 2014: Die Zauberflöte
    October 20- November 15 2014: The Death of Klinghoffer
    October 30 2014- April 20 2015: Aida
    November 10-29 2014: Lady Macbeth of Mtsensk
    November 18- December 6 2014: Il Barbiere di Siviglia
    December 2-23 2014: Die Meistersinger von Nürnberg
    December 11 2014- January 24 2015: La Traviata
    December 18 2014- January 8 2015: Hansel and Gretel
    December 31 2014- May 7 2015: The Merry Widow
    January 12- March 21 2015: Les Contes d'Hoffmann
    January 26- February 21 2015: Iolanta / Duke Bluebeard's Castle
    February 4- March 6 2015: Don Giovanni
    February 16- March 14 2015: La Donna del Lago
    March 9-28 2015: Manon
    March 16- April 10 2015: Lucia di Lammermoor
    March 20- April 11 2015: Ernani
    March 30- April 25 2015: Don Carlo
    April 14- May 8 2015: Cavalleria Rusticana / Pagliacci
    April 23- May 9 2015: Un Ballo in Maschera
    May 1-9 2015: The Rake's Progress

    The Met announced the 2014-2015 season today. The new productions are Le Nozze di Figaro, The Death of Klinghoffer, The Merry Widow, Iolanta, Duke Bluebeard's Castle, La Donna del Lago, Cavalleria Rusticana, and Pagliacci.

    Online 2014-2015 Brochure | Official Site

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  • Philippe_jaroussky__c_simon_fowler_licensed_to_virgin_classics* Notes * 
    Countertenor Philippe Jaroussky (pictured left, photograph by Simon Fowler) is currently on tour with Orchestra Barocca di Venezia (VBO) and performed yesterday at Sonoma State University’s Green Music Center. The program is entitled “A Legendary Battle: Farinelli & Porpora vs. Carestini & Händel” and includes instrumental works by both composers interspersed with eight arias written for castrasti. VBO seems to consist of a harpsichordist, eight violinists, two violists, two cellists, a bassist, a bassoonist, a lute player, two oboists, and two horns. The playing was best when the tempi were meant to be brisk and the volume loud. The quieter, slower Minuetto of Porpora’s Overture from Il Germanico was slightly lax. The Largo e piano of Händel’s Concerto Grosso in A Minor was unfocused compared to the Allegro movements that proceeded and followed it. Händel’s Concerto Grosso in G Major has three Allegro movements, and certainly was the most charming of the instrumental selections.

    Jaroussky sounded as sublime as ever. His voice has such an open ease to it. He sang Porpora’s “Mira in cielo” from Arianna e Teseo and “Si pietoso il tuo labro” from Semiramide riconsciuta with haunting beauty. The two arias from Händel’s Alcina, “Mi lusinga il dolce affeto” and “Stà nell’Ircana pietrosa tana” also came off well. The different colorings of the word “cacciator” in the latter alone were impressive. Likewise, after intermission Jaroussky did splendidly with Händel’s “Agitato da fiere tempeste” from Oreste and “Scherza infida” from Ariodante. The concert ended with two arias from Porpora’s Polifemo and the encore was Geminiano Giacomelli’s “Sposa, non mi conosci.”

    * Tattling * 
    The audience members were, for the most part, quiet. No electronic noises were noted. The woman in the third row from the stage, Seat 9, insisted on talking to both her neighbors, one of whom was her daughter. She did stop vocalizing after being hushed twice, but also had the sniffles and may have fallen asleep. She and her daughter did have the good sense to leave after the interval.

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  • 10--CapuletiSan Francisco Opera’s 90th season started on September 7, 2012 and finished on July 7, 2013. Eight operas were held at the War Memorial Opera House in 67 performances. The Company concluded Fiscal Year 2012-13 (FY 13) with a deficit of $811,915 on an operating budget of $68,707,049. Total operating revenue for FY 13 grew from $32,955,687 to $30,808,345, with income from ticket sales for FY13 at $19,785,866 compared to the season prior (FY12) at $24,302,997. Contributions to the FY13 Annual Fund reflected a 4.4% increase over the previous year and hit a new Company record level of $37,086,789 in financial support from approximately 8,000 donors.

    Press Release | Official Site

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  • 2--SIMPSON-Michael-ToddBaritone Michael Todd Simpson (pictured left) will replace Nathan Gunn as Gaylord Ravenal in Show Boat at San Francisco Opera. Gunn has withdrawn from the the production. Other casting updates include Bill Irwin as Cap'n Andy Hawks and Harriet Harris as Parthy Ann Hawks.

    Production Web Site | San Francisco Opera Press Release

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  • Bach-magnificat* Notes *
    Last weekend American Bach Soloists performed a program consisting entirely of works by Johann Sebastian Bach. Last Sunday’s San Francisco concert began with the very cheery and sycophantic “Tönet, ihr Pauken! Erschallet, Trompeten!” The ensemble, conducted by ABS Music Director Jeffrey Thomas, played neatly. The tenor, Guy Cutting, was slightly blustery, while soprano Clara Rottsolk sounded quite clear. Countertenor Eric Jurenas has a somewhat manic edge to his voice, but was much easier to hear than baritone William Sharp, who would occasionally blend in with the orchestra. The chorus was lovely.

    The Orchestral Suite No. 2 in B Minor that followed featured flautist Sandra Miller, who played beautifully and was well-supported by the rest of the musicians. After intermission we heard the cantata “Herr Gott, dich loben alle wir” and were invited to join in for the chorale. The evening ended with Magnificat. The playing was tidy. The soloists sounded wonderful together, the alto and tenor duet with Jurenas and Cutting was particularly nice, as was the trio with sopranos and alto.

    * Tattling *
    The audience was silent and attentive. I was impressed by how well the chorale went.

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  • Queen_Elizabeth_Theatre_Vancouver_View_from_SeatingSeptember 27- October 4 2014: Carmen
    October 23- November 7 2014: Stickboy
    February 28- March 8 2015: Die Fledermaus
    April 23- May 3 2015: Sweeney Todd

    Vancouver Opera announced the 2014-2015 season on Thursday.

    Cast Details | Official Site

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