• Philippe_jaroussky__c_simon_fowler_licensed_to_virgin_classics* Notes * 
    Countertenor Philippe Jaroussky (pictured left, photograph by Simon Fowler) is currently on tour with Orchestra Barocca di Venezia (VBO) and performed yesterday at Sonoma State University’s Green Music Center. The program is entitled “A Legendary Battle: Farinelli & Porpora vs. Carestini & Händel” and includes instrumental works by both composers interspersed with eight arias written for castrasti. VBO seems to consist of a harpsichordist, eight violinists, two violists, two cellists, a bassist, a bassoonist, a lute player, two oboists, and two horns. The playing was best when the tempi were meant to be brisk and the volume loud. The quieter, slower Minuetto of Porpora’s Overture from Il Germanico was slightly lax. The Largo e piano of Händel’s Concerto Grosso in A Minor was unfocused compared to the Allegro movements that proceeded and followed it. Händel’s Concerto Grosso in G Major has three Allegro movements, and certainly was the most charming of the instrumental selections.

    Jaroussky sounded as sublime as ever. His voice has such an open ease to it. He sang Porpora’s “Mira in cielo” from Arianna e Teseo and “Si pietoso il tuo labro” from Semiramide riconsciuta with haunting beauty. The two arias from Händel’s Alcina, “Mi lusinga il dolce affeto” and “Stà nell’Ircana pietrosa tana” also came off well. The different colorings of the word “cacciator” in the latter alone were impressive. Likewise, after intermission Jaroussky did splendidly with Händel’s “Agitato da fiere tempeste” from Oreste and “Scherza infida” from Ariodante. The concert ended with two arias from Porpora’s Polifemo and the encore was Geminiano Giacomelli’s “Sposa, non mi conosci.”

    * Tattling * 
    The audience members were, for the most part, quiet. No electronic noises were noted. The woman in the third row from the stage, Seat 9, insisted on talking to both her neighbors, one of whom was her daughter. She did stop vocalizing after being hushed twice, but also had the sniffles and may have fallen asleep. She and her daughter did have the good sense to leave after the interval.

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  • 10--CapuletiSan Francisco Opera’s 90th season started on September 7, 2012 and finished on July 7, 2013. Eight operas were held at the War Memorial Opera House in 67 performances. The Company concluded Fiscal Year 2012-13 (FY 13) with a deficit of $811,915 on an operating budget of $68,707,049. Total operating revenue for FY 13 grew from $32,955,687 to $30,808,345, with income from ticket sales for FY13 at $19,785,866 compared to the season prior (FY12) at $24,302,997. Contributions to the FY13 Annual Fund reflected a 4.4% increase over the previous year and hit a new Company record level of $37,086,789 in financial support from approximately 8,000 donors.

    Press Release | Official Site

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  • 2--SIMPSON-Michael-ToddBaritone Michael Todd Simpson (pictured left) will replace Nathan Gunn as Gaylord Ravenal in Show Boat at San Francisco Opera. Gunn has withdrawn from the the production. Other casting updates include Bill Irwin as Cap'n Andy Hawks and Harriet Harris as Parthy Ann Hawks.

    Production Web Site | San Francisco Opera Press Release

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  • Bach-magnificat* Notes *
    Last weekend American Bach Soloists performed a program consisting entirely of works by Johann Sebastian Bach. Last Sunday’s San Francisco concert began with the very cheery and sycophantic “Tönet, ihr Pauken! Erschallet, Trompeten!” The ensemble, conducted by ABS Music Director Jeffrey Thomas, played neatly. The tenor, Guy Cutting, was slightly blustery, while soprano Clara Rottsolk sounded quite clear. Countertenor Eric Jurenas has a somewhat manic edge to his voice, but was much easier to hear than baritone William Sharp, who would occasionally blend in with the orchestra. The chorus was lovely.

    The Orchestral Suite No. 2 in B Minor that followed featured flautist Sandra Miller, who played beautifully and was well-supported by the rest of the musicians. After intermission we heard the cantata “Herr Gott, dich loben alle wir” and were invited to join in for the chorale. The evening ended with Magnificat. The playing was tidy. The soloists sounded wonderful together, the alto and tenor duet with Jurenas and Cutting was particularly nice, as was the trio with sopranos and alto.

    * Tattling *
    The audience was silent and attentive. I was impressed by how well the chorale went.

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  • Queen_Elizabeth_Theatre_Vancouver_View_from_SeatingSeptember 27- October 4 2014: Carmen
    October 23- November 7 2014: Stickboy
    February 28- March 8 2015: Die Fledermaus
    April 23- May 3 2015: Sweeney Todd

    Vancouver Opera announced the 2014-2015 season on Thursday.

    Cast Details | Official Site

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  • Wortham_CenterOctober 24 – November 7 2014: Otello
    October 31- November 15 2014: Così fan tutte
    December 5-21 2014: A Christmas Carol
    January 23- February 8 2015: Madame Butterfly
    January 30- February 15 2015 : The Magic Flute
    April 18- May 3 2015: Die Walküre
    April 24- May 9 2015: Sweeney Todd

    Details on the Season | Official Site

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  • Seattle-opera-space-needleOctober 18- November 1 2014: Don Giovanni
    January 10-24 2015: Tosca
    February 21- March 7 2015: Semele
    May 2-16 2015: Ariadne auf Naxos

    Seattle Opera announced the 2014-2015 season today.

    Official 2014-2015 Site

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  • Civic-opera-houseSeptember 27 -October 29, 2014: Don Giovanni
    October 6-28 2014: Capriccio
    October 27- November 29 2014: Il Trovatore
    November 17-December 20 2014: Porgy and Bess
    December 6 2014-January 16 2015: Anna Bolena
    January 24- March 14 2015: Tosca
    February 9 -March 6 2015: Tannhäuser
    February 24 -March 1, 2015: The Passenger
    March 28-29 2015: El Pasado Nunca Se Termina
    April 2015: Carousel

    Anthony Freud announced Lyric Opera of Chicago's 2014-2015 season today.

    Press Release | Official Site

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  • Op-2014Opera Parallèle presents Francis Poulenc’s Les mamelles de Tirésias and Kurt Weill’s Mahagonny Songspiel at San Francisco’s Yerba Buena Center for the Arts from April 25 to 27, 2014. Baritone Gabriel Preisser performs Bobby in Mahagonny Songspiel and Le mari in Les mamelles de Tirésias; soprano Rachel Schutz is Jessie and Tirésias/La cartomacienne; tenor Thomas Glenn is Charlie and Lacouf/Le journaliste/Le fils; Daniel Cilli is Billy and Le directeur/Presto; mezzo soprano Renée Rapier is Bessie and La marchande de journaux; Matthew Lovell is Jimmy and Le messieur barbu.

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  • Christine-goerkeLyric Opera of Chicago‘s 2014-2015 season includes The Passenger, which will be performed from February 24 to March 15, 2015. The company will also present a new Ring production, directed by David Pountney, starting on October 1, 2016 and continuing in consecutive seasons, followed by three complete cycles in April 2020. The conductor is Sir Andrew Davis, and the cast includes Christine Goerke (pictured left) as Brünnhilde and Eric Owens as Wotan.

    Press Release | Official Site

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