The Opera Tattler
Reviews of Performances and their Audiences
Category: San Francisco Conservatory of Music
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* Notes * Last week the San Francisco Conservatory Opera Program held two performances of L'elisir d'amore. The charming production marked the debut of director Jose Maria Condemi, who is incoming Director of Opera at the school. The spacious set (pictured left) features a runway downstage of the orchestra pit, and different levels upstage. The…
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San Francisco Conservatory of Music alumna Julie Adams (pictured left) was one of the winners of Met Council Auditions this year. She sang the role of Blanche DuBois in André Previn’s A Streetcar Named Desire as a participant of the Merola Opera Program this summer. The program concludes this Saturday with the Grand Finale. What…
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* Notes * San Francisco Conservatory Opera Program is currently presenting Argento’s Postcard from Morocco. A co-production with Portland Opera, the set and costumes are entirely professional. The action takes place within a waiting room of a transit station, which has rows of chairs that are easily wheeled about. The concept behind the staging is…
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The 2014 winners of the Metropolitan Opera (pictured left) National Council Auditions are sopranos Julie Adams and Amanda Woodbury; tenor Yi Li; bass-baritone Ao Li; and bass Patrick Guetti. Four of these five are associated with the Merola Opera Program. Adams and Woodbury are Merolini this year. Yi Li was in Merola in 2012 and…
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* Notes * San Francisco Conservatory Baroque Ensemble presented two semi-staged performances of Händel's Ariodante last weekend. Corey Jamason conducted the orchestra, and the period instruments sounded full in Caroline H. Hume Concert Hall. Staying in tune proved rather challenging at times, at least on Sunday afternoon. The musicians did play with much spirit and…
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* Notes * Last Sunday and Monday San Francisco Conservatory Opera Theatre presented works by Robert Schumann, Clara Schumann, and Johannes Brahms. The performance, entitled Trio Appassionato, was held as a salon in which the biographies of aforementioned musicians were covered. Frederica von Stade (pictured left) hosted, with Darryl Cooper and Curt Pajer accompanying four…
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* Notes * San Francisco Conservatory of Music‘s spring opera this year is Così fan tutte (Sergio González, Kate Allen, Julie Adams, and Efraín Solís pictured left in Act I, photograph by Betsy Kershner), which opened at Cowell Theater last night. The orchestra was lead by the resident conductor of San Francisco Opera, Giuseppe Finzi,…
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* Notes * The tenth season of the BluePrint project opened yesterday evening at the San Francisco Conservatory of Music. The concert started with John Harbison‘s North and South, with mezzo-soprano Julienne Walker. The New Music Ensemble sounded clear and together under the expert direction of Maestra Nicole Paiement (pictured left, photograph by Roger Steen).…
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* Notes * SFCM Opera Theatre presented Poulenc’s Dialogue of the Carmelites, in English translation, last weekend. Michael Morgan held the orchestra together, and for the most part, the orchestra and singers were on beat. There was some raggedness in the brass and woodwinds, and the music certainly did not sound easy. Whatever was used for…
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* Notes * The ninth season of the BluePrint series at the San Francisco Conservatory of Music opened on Saturday night. The performance started with the West Coast premiere of Laura Schwendinger's Chiaroscuro Azzurro, which featured violinist Wei He. The New Music Ensemble sounded tightly together under conductor Nicole Paiement, whose every move seemed carefully…
The Opera Tattler 