• September 19 2009: Academy of St. Martin in the Fields / Daniels
    September 22 2009: La Damnation de Faust
    October 10 2009: Dido and Aeneas
    October 18 2009: Les Arts Florissants / Cohen
    October 25 2009: Susanna
    October 29 2009: Röschmann / Kirchschlager / Bostridge / Quasthoff
    November 8 2009: Monteverdi's 6th Book of Madrigals
    November 17 2009: Academy of St Martin in the Fields / Perahia
    November 24 2009: Cecilia Bartoli
    November 26 2009: Grand Motets
    December 2 2009: Concerto Cologne / Philippe Jaroussky
    December 9 2009: Messiah
    December 12 2009: Brahms' Symphony No. 4
    December 13 2009: Mahler's Symphony No. 2
    December 19 2009: Hans Werner Henze's Elogium musicum
    January 17 2010: Hans Werner Henze's Phaedra
    February 3-4 2010: New York Philharmonic / Gilbert
    February 12 2010: Sarah Chang
    February 18 2010: Murray Perahia
    February 26 2010: Emanuel Ax & Yo-Yo Ma
    March 2-3 2010: Vienna Philharmonic Orchestra / Maazel
    March 5 2010: Emanuel Ax
    March 7 2010: Doctor Atomic Symphony
    March 10 2010: Mass in B Minor
    March 12 2010: Emanuel Ax & Dawn Upshaw
    March 23 2010: Christine Schäfer, Matthias Goerne & Hilary Hahn
    March 25 2010: St. Lawrence String Quartet
    March 26 2010: Angels in America
    April 19 2010: Andreas Scholl 
    April 27 2010: Thomas Adès in Recital
    May 7 2010: Juan Diego Flórez
    May 15 2010: Michel van der Aa's After Life
    May 21 2010: Vivaldi's Ottone in Villa
    July 8 2010: Semele

    Official Site

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  • The 13 Adler Fellows for 2009 were interviewed by Director of Music Administration Kip Cranna, San Francisco Opera Center Director Sheri Greenawald, and Board of Directors Adler Committee Chairman I. Craig Henderson, M.D. yesterday evening, at Cowell Theater at Fort Mason. We learnt that Tamara Wapinsky just had a tonsillectomy a few weeks ago, that Leah Crocetto and Renée Tatum had recent bouts of strep throat, and that Heidi Melton's new nickname is "Pippi." The answers to the various questions were rather humanizing, even deflationary at times.

    The interviews were interspersed with musical selections from Gounod's Faust, La Traviata, Die Entführung aus dem Serail, Vanessa, and Il Trovatore. One looks forward to hearing the improvement that is bound to ensue in the coming months. Heidi Melton, Daveda Karanas, and David Lomelí sang "Ciel! Non m'inganna quel fioco lume…Parlar non vuoi" particularly well. Daveda is covering Dolora Zajick as Azucena next season.

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  • The Royal Opera House, Covent Garden is planning to present an opera about Anna Nicole Smith by Mark-Anthony Turnage in 2011.

    Guardian Article

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  • October 10 2009: Tosca
    October 24 2009: Aida 
    November 7 2009: Turandot
    December 19 2009: Les Contes d'Hoffmann
    January 9 2010: Der Rosenkavalier
    January 16 2010: Carmen
    February 6 2010: Simon Boccanegra
    March 27 2010: Hamlet
    May 1 2010: Armida

    Next season the Met presents 9 simulcasts, down from 11 this season.

    Press Release  | Official Site

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  • * Notes *
    The 2009 Schwabacher Debut Recital Series opened with Alek Shrader, accompanied by the inimitable John Parr, last Sunday. Shrader's voice is clear and pretty, but his upper register is considerably more strained than his lower register. However, he is remarkably consistent. His rendition of various Benjamin Britten songs came off well, but he did not sing Schumann's Dichterliebe with much verve. Perhaps I was comparing him unfavorably with the baritone Eugene Brancoveanu, who sang this work last March.

    The Henri Duparc songs and the Liszt's Drei Lieder aus Schillers Wilhelm Tell were again sung nicely, but not with much fire. It was very clear that Shrader is much more at ease in the lower part of his voice in "Der Alpenjäger." He came alive when singing bel canto, at the end of the recital. There was some distracting issues of breathing through teeth, but Rossini's "La danza" was absolutely lovely.

    Shrader played guitar with his first encore, "Ecco ridente in cielo," and this was rather charming. At one point he did make a rather obvious mistake in playing, but simply played it off by scolding an invisible Figaro.

    * Tattling * 
    Audience members spoke aloud during the music, there was one watch alarm that went off twice, and some very audible snoring was heard during the Schumann and Liszt.

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  • September 21 2009- May 13 2010: Tosca
    September 22- December 12 2009: Le Nozze di Figaro
    September 23 2009- April 15 2010: Die Zauberflöte
    October 2 2009- April 3 2010: Aida
    October 3 2009- March 4 2010: Il Barbiere di Siviglia
    October 13 2009- January 15 2010: Der Rosenkavalier
    October 21- November 17 2009: La Damnation de Faust
    October 28 2009- January 28 2010: Turandot
    November 12- December 5 2009: From the House of the Dead
    November 20- December 12 2009: Il Trittico
    December 3 2009- January 2 2010: Les Contes d'Hoffmann
    December 10-29 2009: Elektra 
    December 14 2009- January 2 2010: Hansel and Gretel
    December 31 2009- May 1 2010: Carmen
    January 11-30 2010: Stiffelio
    January 18- February 6 2010: Simon Boccanegra
    February 4-20 2010: Ariadne auf Naxos
    February 6-22 2010: La Fille du Régiment
    February 20- March 20 2010: La Bohème
    February 23- March 27 2010: Attila
    March 5-25 2010: The Nose
    March 16- April 9 2010: Hamlet
    March 29- April 24 2010: La Traviata
    April 12- May 15 2010: Armida
    April 23- May 14 2010: Die Fliegende Holländer
    May 8-15 2010: Lulu

    Karita Mattila opens the season as Tosca. Simon Keenlyside sings the title role of Hamlet. John Relyea sings Figaro opposite of Danielle de Niese in Le Nozze, with Bo Skovhus and Emma Bell as count and countess. René Pape sings the Four Villains of Les Contes d'Hoffman.

    As in San Francisco, Patricia Racette is featured in all three operas of Il Trittico. Likewise, Diana Damrau and Juan Diego Flórez star in La Fille.

    Press Release  | Official Site

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  • * Notes *
    Philharmonia Baroque Orchestra played an all-Mendelssohn program in honor of his 200th birthday last week. The playing was quite clean and détaché, which was fine for the Three Motets, Op. 39, but was perhaps less appropriate for A Midsummer Night’s Dream, Op. 21 & 61. The evening began with The Hebrides (Fingal’s Cave), Op. 26, which is melancholic and very pretty. Next they cheerfully played the popular third movement Scherzo from the Octet in E-flat major, Op. 20. The Three Motets before the intermission were strongest, Nicolas McGegan’s orchestration worked well, and the Baroque style of the group played nicely to this particular form. The San Francisco Girls Chorus sang beautifully, again with a very clean sound, almost angelic. In the second half,
    A Midsummer Night’s Dream, Op. 21 & 61 involved a narrator who did not memorize his lines and overacted quite a bit. However, the singing was just lovely.


    * Tattling * 
    The audience was fairly well-behaved, though there was some talking, it was minimal.


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  • Werner Herzog has made a short film that features "O soave fanciulla" from La bohème and footage from south-west Ethiopia.

    Telegraph Article

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  • October 23- November 8 2009: Otello
    February 12-28 2010: Così fan tutte
    February 19- March 7 2010 : Don Pasquale
    April 30- May 16 2010: Moby-Dick
    May 7-23 2010: Madama Butterfly

    Star-Telegram Article | Official Site

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  • William Friedkin will not direct the opera An Inconvenient Truth.

    NY Times Article

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