• Partitura_aria_ariodante* Notes *

    San Francisco Conservatory Baroque Ensemble presented two semi-staged performances of Händel's Ariodante last weekend. Corey Jamason conducted the orchestra, and the period instruments sounded full in Caroline H. Hume Concert Hall. Staying in tune proved rather challenging at times, at least on Sunday afternoon. The musicians did play with much spirit and zest.

    The singing was rather good all around, the students fit their parts. Many of the singers were quite loud, especially bass Christopher Filipowicz. Others had difficulties at the edges of their ranges, whether it be uncontrolled high notes, or low notes that did not sit nicely in the voice. Nonetheless, the performance was delightful. Elena Galván was a bright-voiced, diffident Dalinda. Nikola Printz made for a threatening, sensual Polinesso. Johanna Bronk was impressive in the title role, her "Scherza infida" was beautiful.

    * Tattling * 
    The audience was fairly silent. A hearing aid was rather loud in Act I, but was not heard in Acts II or III. I learned that the person sitting to my right has the exact same birth date as mine. Later that day I learned that I would hear the sister of the person to my left play next week in Switzerland.

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  • Xerxes-set-act-1San Francisco Opera's 89th season started on September 9, 2011 and finished on July 8, 2012. Nine operas were held at the War Memorial Opera House in 72 performances. The Company concluded Fiscal Year 2011-12 (FY 12) with a a deficit of $1,561,074 on an operating budget of $70,027,011. Total operating revenue for FY12 fell from $35,947,397 to $32,955,687, with income from ticket sales consistent with FY11 at $24,302,997. Contributions to the FY12 Annual Fund reflected a 6.5% increase over the previous year and hit a record level of $35,510,250 in financial support from approximately 8,300 donors.

    Press Release | Official Site

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  • Met_opera_auditorium_3848The 2013 winners of the Metropolitan Opera (pictured left, photograph by Jonathan Tichler/Metropolitan Opera) National Council Auditions are sopranos Sydney Mancasola and Rebecca Pedersen; tenor Michael Brandenburg; bass-baritones Brandon Cedel, Musa Ngqungwana, and Thomas Richards.

    Official Site

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  • BloOctober 4–13 2013: Die Zauberflöte
    November 20–24 2013: Jack Beeson’s Lizzie Borden
    March 14–23 2014: Rigoletto
    May 2-11 2014: I Puritani

    Official Site

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  • Kennedy Center Opera House, photograph by Tony BrownSeptember 15-27 2013: Tristan und Isolde
    October 12-26 2013: La Forza del Destino
    December 14-22 2013: The Lion, the Unicorn, and Me
    February 22- March 8 2014: Moby-Dick
    March 20-29 2014: L’Elisir d’Amore
    May 3-18 2014: Die Zauberflöte

    The 2013-2014 season at WNO was announced today.

    2013-2014 Season | Official Site

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  • Lincoln-center-on-33-west-60th-street-in-nycThe ten finalists of the 2013 Metropolitan Opera National Council Auditions are bass Matthew Anchel (Eastern Region; New York, NY); tenor Michael Brandenburg (Central Region; Austin, IN); bass-baritone Brandon Cedel (Middle Atlantic Region; Hershey, PA); soprano Tracy Cox (Western Region; Dallas, TX); soprano Sydney Mancasola (New England Region; Redding, CA); bass-baritone Musa Ngqungwana (Middle Atlantic Region; Port Elizabeth, South Africa); bass-baritone Richard Ollarsaba (Upper Midwest Region; Tempe, AZ); soprano Rebecca Pedersen (Rocky Mountain Region; Bountiful, UT); bass-baritone Thomas Richards (Central Region; Burnsville, MN); and baritone Efraín Solís (Western Region; Santa Ana, CA). They perform next Sunday, March 10 at 3pm with the Met Orchestra conducted by Marco Armiliato.

    Official Site

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  • Sf-opera-secret-garden-wm-2013* Notes *

    San Francisco Opera and Cal Performances presented the world premiere of Nolan Gasser's The Secret Garden (Act II pictured left, photograph by Betsy Kershner) last night in Berkeley. The music features a tiny ensemble of ten instrumentalists, lead by conductor Sara Jobin. The rhythms employed are of interest, particularly in the prologue, which is set in India. Carey Harrison's libretto has some awkward moments, somehow the narrative of the book does not always work well as sung text. This is evident in the Cholera scene and when Colin sings about how he will live to adulthood. Other parts are more successful. The letter scene between Susan Sowerby and Archibald Craven is quite beautiful. The production, directed by José Maria Condemi, moves along nicely. The costumes are of the period, and are perfectly serviceable. Naomie Kremer's hallucinatory visual designs range from cartoonish to Impressionistic.

    The singing has much to recommend it. Ao Li (Ben Weatherstaff), Erin Johnson (Mrs. Medlock), and Laura Krumm (Martha Sowerby) all made charming contributions to the performance, both vocally and dramatically. Tenor Scott Joiner was a winsome Dickon, but had some trouble with the high notes in his first duet with Mary. Philippe Sly impressed as Archibald Craven, and his aforementioned duet with Marina Harris (Susan Sowerby) was splendid. Boy soprano Michael Kepler Meo convinced as spoiled, sickly Colin Craven. His voice is pretty, but the amplification used was obvious and slightly distracting. Bright-voiced Sarah Shafer deftly portrayed Mary Lennox. Her sound is pleasant and her acting was not overwrought.

    * Tattling *
    There were many children in attendance, and for the most part, they were more well-behaved than the adults. Two women in Row P Seats 5 and 7 of the Orchestra Level talked repeatedly during the music when there was no singing. Oddly, they knew the maestra, and vehemently cheered her when she took her bow.

    One of the boys in Row N was the son of either the composer or the librettist and he was absolutely delighted to see his father during the ovation. His enthusiasm was adorable.

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  • Bill-BennettSan Francisco Symphony's principal oboist William Bennett (pictured left) has died of a brain hemorrhage. Mr. Bennett had been hospitalized since Saturday, February 23, 2013, after collapsing onstage during his performance of the Strauss Oboe Concerto with the San Francisco Symphony at Davies Symphony Hall.

    SF Symphony Press Release | Caring Bridge Site

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  • Metropolitan_Opera_House_At_Lincoln_Center_2September 23- December 12 2013: Eugene Onegin
    September 24 2013- May 8 2014 : Così fan tutte
    September 28- October 26 2013: The Nose
    September 30- November 1 2013: Norma
    October 11-31 2013: A Midsummer Night's Dream
    October 21- November 14 2013: Two Boys
    October 29- December 28 2013: Tosca
    November 7-26 2013: Die Frau Ohne Schatten
    November 11- December 7 2013: Rigoletto
    November 22- December 13 2013: Der Rosenkavalier
    December 6 2013- January 11 2014: Falstaff
    December 16 2013- January 4 2014: The Magic Flute
    December 31 2013- February 22 2014: Die Fledermaus
    January 9- February 1 2014: L'elisir d'Amore
    January 14- April 18 2014: La Bohème
    January 16- May 9 2014: Madama Butterfly
    January 23- February 15 2014: Rusalka
    February 6- March 8 2014: Prince Igor
    February 18- March 15 2014: Werther
    February 26- March 20 2014: The Enchanted Island
    March 6-22 2014: Wozzeck
    March 14- April 1 2014: La Sonnambula
    March 24- April 12 2014: Andrea Chénier
    April 3-24 2014: Arabella
    April 17- May 10 2014: I Puritani
    April 21- May 10 2014: La Cenerentola

    The Met announced the 2013-2014 season today. The 6 new productions are Eugene Onegin, Nico Muhly's Two Boys, Falstaff, Die Fledermaus, Prince Igor, and Werther.

    Online 2013-2014 Brochure | Official Site

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  • Bonesetter08Act1TerrenceMcCarthyMezzo-soprano Zheng Cao died of cancer yesterday at age 46 in San Francisco. Cao was a participant of the Merola Opera Program in 1994 and was an Adler from 1995 to 1996. Cao was seen in 16 productions at San Francisco Opera including roles in The Bonesetter’s Daughter (pictured left as Ruth Young Kamen, photograph by Terrence McCarthy), Madama Butterfly, The Mother of Us All, The Rake’s Progress, Parsifal, Idomeneo, Le Nozze di Figaro, Elektra, Salome, Rusalka, and Faust.

    SF Chronicle Article | Official Site | San Francisco Opera Press Release

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